Above – . Cover – . Photos – Daniel Boud

A hit, a palpable hit, Hamlet Camp is full of wit, palpable wit.

It begins with three poems, autobiographical, lyrical, wry, funny, each presented individually by the author/actor: Skip Retail Therapy by Toby Schmitz, Storage by Brendan Cowell and Ship to Shore by Ewen Leslie.

And so with these erudite, eloquent, enlightening, epic introductions we know something of these three players’ career trajectories, their backgrounds, their impetus, their inspiration.

A brief but beautiful dance piece follows, choreographed and performed by Claudia Haines-Cappeau, an Ophelia beckoning the Prince of Denmark, and soon there they are, the three actors, pyjama clad on stage, bare minimum, chairs minimum set, inmates of Hamlet Camp, a clink, a clinic to purge actors of the altitude sickness caused by the scaling of that Everest of theatrical roles. A shock treatment therapy for thespians.

It’s Toby, or not Toby, that is the question. Ewen and Brendan too, or not. Actors and characters blend in an alchemy of experience and extension, fact and fiction, theatrical license to thrill. These intimates, linked by various and myriad productions and incarnations of the play explore, examine, extrapolate on the text but also the business of acting, of interpretation, the sweat and tears and terror that accompanies the exhilaration of performance, especially this iconic, career pinnacle prince of roles.

There’s the playful, pithy dissing of directors who have visions that are apparitions of the play, not the flesh and bones and blood of the piece, affectations meant to leave a creative stamp but tend to stamp out, stamp on, the core intention of the work. And there’s a playful crack at critics, with bad reviews remembered over good, critical catchphrases like “mercurial” pondered.  

Hamlet Camp is written by its performers, Brendan Cowell, Ewen Leslie and Toby Schmitz and what a piece of work it is, how noble in reason, how infinite in faculty, in form and moving how express and admirable. It will Stoppard nothing!

An enterprise of great pith and moment, Hamlet Camp comes trippingly off the tongues of this trio of tyros, a joyous, robust and thoroughly entertaining theatrical event.

Event details

Modern Convict and Carriageworks present
Hamlet Camp
by Brendan Cowell, Ewen Leslie, Toby Schmitz

Director Name

Venue: Carriageworks | 245 Wilson St, Eveleigh NSW
Dates: 14 – 25 January 2025
Tickets: from $40
Bookings: carriageworks.com.au

Most read Sydney reviews

  • Back to the Future: The Musical
    Back to the Future: The Musical
    Back to the Future: The Musical is its own kind of time machine. It straps you into the driver’s seat of the DeLorean and takes you back to when movies were cultural connective tissue.
  • The Edit | Unlikely Productions and Legit Theatre Co.
    The Edit | Unlikely Productions and Legit Theatre Co.
    A serious but simultaneously very funny drama that analyses personal problems in tandem with the social problems that encircle and partly create them.
  • Meow Meow’s The Red Shoes
    Meow Meow’s The Red Shoes
    Initial inertia blazes into an exuberant crazy kamikaze cabaret, a loose rendering and deconstruction of Hans Christian Andersen’s so called fairy tale.
  • I, Julia | Lily Hensby
    I, Julia | Lily Hensby
    Starting off with a fearless rendition of a ferocious monologue from an episode of VEEP, Lily riffs about her admiration and love for Julia Louis-Dreyfus.
  • Present Laughter | New Theatre
    Present Laughter | New Theatre
    Festooned with verbal foliage that has not desiccated over eight decades, Noel Coward’s Present Laughter is a present of much needed laughter leading up to the silly season.

More from this author